To People Who Complain About Having To Read a Bunch Before They Get To Food Blogger Recipes

These days, there aren’t too many things that whip me into an immediate, spiraling frenzy. I feel so inundated every day with horrifying headlines and Am I The Asshole reddit posts that the biggest reaction something might get from me is an eye roll and a head shake. There are very few things in this world anymore that really surprise or devastate me, and not much makes me instantaneously viscerally angry.

But there is one topic that grinds my gears these days: the sentiment I see every few months or so, where people complain about the “endless” paragraphs that they have to scroll through to get to a recipe on a food blog.

I have SO many thoughts and feelings about this, but the gist is: if your Google-searching ass is too inconvenienced by skimming through a wordy prologue, or you can’t be bothered to just scroll through it to get to the (free) recipe, then find your recipe elsewhere. There are plenty of websites that will give you just a recipe, so take your search there. Try Epicurious or Food 52 or All Recipes, to name a few.

So many food bloggers put time and work into every single blog post and recipe, and many of them give that content out for free. Writing is work; developing, adapting and writing recipes is work. Giving that work away for free is a gift to the world, and if you want to be a dick about it, you don’t deserve the content.


Last week, I tackled my first test version of a pie that I’ve been planning to make for quite awhile. It all started with Joy the Baker’s recipe for a no-bake Dark and Stormy Cream pie. For those who don’t know, a Dark and Stormy is an alcoholic beverage that is made of rum, ginger beer and lime juice. It’s one of my favorite drinks, and to have that in pie form? An obvious no-brainer.

So I made it to take over to a friend’s house for a dinner party.

Joy’s recipe calls for a ready-made pecan crust and relies on gelatin, pasteurized egg yolks, chilling, and time to hold everything together. The pecan crust she called for wasn’t available in my area, so I made my own crust out of home-baked gingersnaps. I followed the rest of the recipe pretty exactly. By the time I realized I should have chosen to make a baked good that I had extensive experience with, I was knee-deep in the process, so I crossed my fingers and prayed that it would all set in the fridge and no one would get food poisoning.

When I took the pie out of the fridge 6 hours later to put the whipped cream and candied pecans on top, I sensed something was terribly wrong. The filling was jiggly, but it seemed to be firm on top. When I watched the whipped cream sink into the filling a little bit on contact, I started to panic. Since the whipped cream didn’t sink all the way into the filling, I held out hope that everything would be okay.

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Long story short, this pie was the most beautiful thing I’ve ever made, but turned out to be 100% soup. It was delicious and boozy and my homemade gingersnap crust with a thin layer of chocolate complemented everything, but it was soup just the same. I was mortified and quietly talked myself out of crying actual tears at the dinner table.

Since then though, I’ve wanted to make the pie again, but I wanted to make it my way, without the gelatin and raw egg yolks (sorry, Joy the Baker!).


So what I did first was look at a pie recipe that I’m familiar with and have executed successfully at least twice — Cook’s Country’s North Carolina Lemon Pie. The crust is made out of saltines, butter (I use salted butter because I love that salty-sweet combo), caro syrup and salt. The filling is made from sweetened condensed milk, egg yolks, heavy cream, lemon juice and zest, and salt. The result is tangy, lemony, a hint of salty, and sweet-but-not-too-sweet. I’ve made this pie for the past two Thanksgivings, and I’ve never regretted it.

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And then I took Joy the Baker’s recipe and made a color-coordinated spreadsheet, where I compared the two: ingredient by ingredient, stage by stage. This seems a little nutty (and maybe it is), but breaking down the two recipes side by side really helped me visualize what happens at each stage of the process so I could see where each recipe was similar and where they diverged in ingredient or process.

And then, I added my own test recipe to the spreadsheet. I put together my own ingredient list and wrote out the process I would go through to make my very own version of the Dark and Stormy pie.


I don’t consider myself a food blogger, at least not in the traditional sense. I started blogging about my food adventures because food and writing about food was a way to keep myself alive. Learning to cook and bake while writing about everything I learned in the process helped remind myself that I was a human being who was still very capable of learning new things and self-reflection and skill-having when a lot of things in my life kept telling me that I wasn’t doing enough or good enough or capable enough to accomplish anything.


Actually making this pie took 2-3 days. On the first day, I made gingersnaps for the crust. I opted to go with the same gingersnaps I made for the first disaster pie. They’re softer than your standard gingersnap, but I figured it would be fine. They tasted great with the soup I made the first time around.

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The next day, I used a Martha Stewart gingersnap crust recipe to make the crust, which entailed crushing up gingersnaps in the food processor, mixing the crumbs with melted butter, brown sugar, flour and salt, and then pressing them into my 9-inch pie plate. I popped the whole thing into the oven at 350 on a baking sheet for a few minutes, and then took it out to cool on a rack.

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These days, I don’t blog in hopes of finding sponsors or monetizing it (although, dang, that would be nice), and I’m not so concerned with SEO or being an influencer, and I don’t blog so I can share my mom’s empanada recipes with the masses for free. I guess I continue blogging because it helps me explore and learn things about myself that I wouldn’t know otherwise without cooking and writing about the cooking.

That probably doesn’t fit under the definition of a food blog, and it certainly doesn’t exist in the same universe with SEO, trending search terms, cute influencer Instagram posts, posting 3 times a day at peak times, etc.

I embrace the slowness, the messiness, the uncategorizable-ness of whatever this is I’m doing.


While the pie crust cooled, I made the pie filling by whisking together condensed milk, egg yolks, heavy cream, ground ginger, fresh ginger, and lime zest. When that was fully combined, I whisked in lime juice and a lot of spiced rum from our favorite local distillery until it was all fully incorporated. I poured the filling into the crust and baked at 350 for about 15 minutes, until the edges were just set and the center still jiggled a little bit.

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When I took the pie out of the oven, the consistency was what I wanted, but it looked like the filling had split a little bit at the edges. Maybe I hadn’t incorporated the rum and lime juice as thoroughly as I thought? Maybe I had added too much rum and lime juice?

I let the pie cool on a rack for a few hours, and then I popped it into the refrigerator to chill and fully set.

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There are some weeks or months where everything you plan goes pretty much according to schedule. You can predict how much time and energy you’ll have that week, you set your goals accordingly, and you follow through on every single thing on your list for the week. I love those weeks. I used to never have them, and now I have them on a regular basis. I love that feeling of crossing to-dos off my list, even if my to-do list is made up of a bunch of basic stuff.

And then there are some weeks or months where nothing goes according to plan. Where you overbook yourself, set too many goals, and plan your time far too ambitiously. For example, you think you’ll be in the mood to write a Friday Bites post while on a plane flying across the Grand Canyon, but when it really comes down to it, you’ll only have the energy to pretend you’re asleep and turn up the volume on your podcast when your airplane seat mate tries to talk to you. And then, you think you’ll be able to bang out a post while you’re sitting with your mom as she goes through a chemo treatment, but when it really comes down to it, all you want to do is eat snacks with your mom, read recipes for people going through chemo, chat with your mom and the nurses, and finish the book you’re reading.

And when I say “you,” I mean, “me.” I think you’ll be able to relate though. I hope.


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A day later, I made whipped cream, spread it on top of the pie, and then garnished it with candied pecans. The crust was welded to the pie plate. I wondered if it would still weld itself to a disposable aluminum pan. The filling was appropriately firm, but it was so boozy that even Mary Berry would’ve taken issue with it. Don’t get me wrong — I love a boozy dessert, but I could taste mostly the (delicious!) Lake House Spiced Rum and only hints of the ginger and lime that, to someone who didn’t know what the pie flavors were supposed to be, were rumored to be in the filling as well.

Still, M and I ate slices of that pie every night, and I made notes every night about what I wanted to do differently the next time I made it. I’m becoming obsessed with getting this pie just right.

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I don’t have the baking knowledge to adapt a recipe exactly right the first time. When I tell you I’m testing a recipe, I mean I’m testing it over a period of months. Because ingredients don’t come cheap, I don’t live or work in a test kitchen (can you imagine if I did though?!), and who wants to eat versions upon versions of the same dessert week after week (unless you’re practicing for Bake Off)?

If you’ve made it this far, I’m so very pleased to tell you that I’m not going to give you my recipe for my version of the Dark and Stormy Pie. Partly because it’s not right yet, and partly because…I don’t feel like it?

I guess what I’m trying to say is: so much work goes into blogging (and writing in general) that a reader never actually sees. The same is true for recipe testing and recipe writing. This is why I get so irritated with people who complain about food bloggers and their stories.

That writing is important. It took a lot of work. It gives you context for the recipe. Food and recipes don’t exist in a vacuum. They tell you a story, sometimes very personal ones, and if you don’t want to sit there for it, go buy an issue of Bon Appetit or Food & Wine (no offense, honestly, I buy them both every time I fly). They’ll give you plenty of recipes without bothersome context or stories.

Plus, the people who write those recipes get paid. There’s so much to say about that, too, but I’ll leave you there for now.

When I get this recipe right, I might share it but you’ll probably have to read a lot of words before I actually get to it. :)

What I Did In 2019

WELL. Y’all. Here we are at the beginning of another year. 2019 wasn’t a year for blogging for me, but it was a year full of cross-country travel, family, baking, cooking, food, and writing. I love this time of year, not because of the holidays, but because it gives me a chance to reflect on what I’ve been up to and what I’ve learned over the past 12 months. I look back at the intentions I set at the beginning of the year and see how well I worked toward them (or didn’t). And after that, it gives me a chance to set intentions for the next 12 months. There’s almost nothing I love more than a fresh start. A clean page. I love these moments (and they don’t happen just once every twelve months) because they remind me that I can always start over. If I haven’t been doing so great at something I set an intention for, I can try again. I can even modify my intention this time (!!).

They remind me that, even if it sometimes doesn’t feel like it, I’m never actually stuck.

***

One of my intentions for 2019 was to not be afraid to be seen. I wanted to stop second-guessing myself and my abilities. I wanted my dear little poems to go out into the world and be seen, I wanted to trust that I had something valuable to say that would mean something to someone somewhere, and I wanted to continue following the paths that have been laying themselves out for me when I say Yes to them, in professional and personal capacities.

Though I don’t think there will be any end point to this journey, I’ve worked really hard to get to where I currently am. I published a fair amount of work in 2019, and I’m so proud of all of it.

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First, my dear poems. Tahoma Literary Review took my John Waters-inspired poem “Girl Gone Rogue” for their spring 2019 print issue and featured it on their website in May. A journal I’ve long admired, Tinderbox Poetry Journal, took two of my Kelly Kapowski poems: “Kelly Kapowski Unplans A Pregnancy” and “Kelly Kapowski Gets An Abortion.”

Honestly, I can’t tell you how much I truly adore each of these poems, and how often I’ve looked at them and thought, “WHO is going to publish you? WHO is going to love you as much as I love you?”

***

Over at Hyphen Magazine, I was so honored to be a part of their Deconstructing Cookbooks series, which set out to examine the ways in which food creates identity for Asian Americans and/or immigrants through the lens of conventional cookbooks and ones that were cookbooks and a little something else. To make it simple, I told people I was writing cookbook reviews, but I was really writing something that was a hybrid of personal essay and cookbook review.

My first piece, “‘And yet, we meet there’: On Resistance, Memory, and Transformation in Sarah Gambito’s Loves You was on Sarah Gambito’s latest poetry collection which is, itself, a hybrid of poems and recipes. Sarah has long been a personal hero of mine for her poems and for the work she does to champion Asian American literature through Kundiman, and writing this essay was an honor and a struggle for me. I had flashbacks to college when I spent hours and hours writing papers on poems and struggling to find the right words to express what I saw each poem doing, but in the end, I got there, and I’m so glad I did.

When I took on writing “‘This Cookbook is Really A Love Letter’: On Priya Krishna’s Indian-ish,” I didn’t know that I would end up cooking the majority of the recipes in it with my own mother, who had never eaten Indian food before. It ended up informing the way I experienced Indian-ish itself, and I love the piece that came out of it.

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In April, I got an incredible opportunity to go to San Francisco and attend a Food In Two Worlds immigrant food journalism workshop. It was a crash course in all things audio — how to record good audio, how to edit audio, how to tell a story through audio, why we should tell stories through audio, how to write good recipes, how to pitch a story to a publication. There was so much information packed into two days that, at the end of each day, my brain felt at max capacity — there was no further information it could absorb. And not only did I get a chance to learn an entirely new skillset, I got a chance to meet and have great conversations with incredible and talented people who want to tell new food stories.

During the workshop, we teamed up with a partner, recorded ourselves interviewing each other, and edited the results into vignettes about food objects. My vignette partner and host of the podcast Queer the Table, Nico Wisler and I talked about my empanada press and my mother teaching me how to make empanadas, and how cooking arroz con gandules helped Nico process grief and create community after the Pulse shooting in Miami. The vignettes that Nico and I produced on each other’s stories ended up on the Feet in Two Worlds podcast.

And then the vignette Nico produced featuring my empanada story ended up on Public Radio International’s show The World. It was all very exciting and also made me want to hide under a table a little bit, but I kept reminding myself that this was the year that I would be unafraid to be seen.


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And that’s just the work that’s been put out into the world in 2019. I did a couple poetry readings in Bloomington alongside my forever partner-in-crime; at one reading, Ortet, the experimental band that featured between readers, recorded lines from the poems that M and I had just read and mixed them together into a surprising and awesome track that they played during the breaks. In October, I got to read poems at a Kundiman Midwest poetry reading with other Kundiman fellows (who are some of my favorite people in the world) in St. Louis (which is one of my favorite places in the whole world).

It’s been a wild year. While all these exciting professional-type things happened, I increased the frequency of my trips home so I could see my mom and family more often. I’ve done so much self-reflection on who I am and how I came to be the way that I am that at times, it’s felt like I’ve been locked in a room surrounded by mirrors and bright lights. I’ve learned a lot about being vulnerable and asking for help and communicating my struggles to the people around me.

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So that’s been 2019. In a nutshell. I have no idea what 2020 holds. I haven’t even made my intentions yet. And who knows, maybe I won’t even make any (see my post 2017: The Year of No Intention). It’s kind of feeling like 2020 is that kind of year.

What I do know: I’m working on an essay about adobo that will be a part of a food anthology that I’m very excited about. I’m working on putting together my first full-length poetry collection (finally!) and sending it out into the world. I’m starting to write more essays, and I’m going to blog regularly again. I think I’ll be blogging more about food and horror and maybe even books?

And that’s all I know.

I hope everyone who reads this was able to find spots of joy and gratitude throughout their year, no matter how great or how down they felt. Here’s to the end of a real doozy of a year, and here’s to not knowing what comes next.

What I Did on My Summer Vacation, 2018 edition

Some of you might know this already, and maybe a lot of you don’t. Blogging is actually hard.

It’s especially hard for writers like me, who have periods of creativity and then periods of drought. (I actually think of it less like a drought and more like living life, priming the pump, re-filling my stores.) I’m also an Aries sun sign blessed with Virgo SOMEwhere in my chart, which means I get excited about my projects, organize the hell out of them, start them, and then get tired. I’m also a Scorpio rising, which means a lot of my projects stay private, so no one ever knows what the fuck I’m doing.

I digress. What I was saying: blogging is hard for writers like me, who started out writing so many years ago with notebook paper and pen. Who carried notebooks and binders around with them everywhere so whenever they had an extra minute or an idea, they could sit and physically write everything down.

I used to be a prolific writer. Poems used to come easily, and prose even more so. The real work was in the revision, and I did it, but not with so much attention. Because I was also busy being young and living and not understanding that revision is not only about what’s on the page — it’s also about reading the self and understanding what it’s trying to say to you. These days, I sit with poems in their revision phase for months at a time. Sometimes years. I think about intent. I think about voice. I think about character. Who is the voice that is speaking through me? Why are they speaking through me? Is it me? Is it someone else? What do they want? (What do I want?) How are they saying it? What matters about how they say it?

So anyway. I forget where I was going with this. Oh yes. My point: blogging is hard for me. When I’m writing for the page, I do not (and cannot) blog. When I am not able to write for the page for whatever reason, I blog instead. And when I cannot do either, I live. I try to stay present, in the present.

This summer, I’ve been doing a little bit of everything. I went on my first-ever writing residency in Knoxville, Tennessee. I stayed at Sundress Academy for the Arts’ Firefly Farms, caring for a dear donkey named Jayne, a sass-machine goat named Munchma, tons of sheep, and some pesky (but entirely relatable) chickens. And when I wasn’t throwing down bales of hay or hand-feeding Jayne treats, I was reading and writing. I wrote pages and pages of prose about food and family and memory and relationships and everything in between. I wrote more poems than I’ve written in the past year. And I’m excited. I finally feel like my full and actual writer self again.

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M and I moved to a new place. It’s a townhouse in the same neighborhood we’ve been in for the past 6 or 7 years. We weren’t expecting to move, but when we made the decision to do it, it felt like exactly the right thing to do. We hit hiccups here and there, and there was sweat and there were tears, but I’ll tell you one thing: if you can, hire movers. I can’t tell you what joy I had watching two young college-aged men efficiently carry all our furniture and all our heavy boxes out of our old apartment and into our new place. If you can afford it, it’s well worth it, even if you can only afford to hire them to move your heavy stuff. I swear to you. Worth. All. The. Pennies.

19 Likes, 3 Comments - Rachel Ronquillo Gray (@medusaironbox) on Instagram: "Channeling the strength, agility, perseverance, and charisma of the Ayatollah of Rock and Rollah..."

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We also took a spontaneous trip to Seattle to see Pearl Jam. I came home from work one night, and M said, “So…you want to go to Seattle tomorrow? To see Pearl Jam?” It’s been a dream of M’s to see Pearl Jam in their hometown, so we did it. We spent 36 hours in my favorite city, and we didn’t get to see or do much outside of waiting in a merch table line for 4 hours, or actually watching Pearl Jam perform a truly epic 3.5 hour show, or getting within an arm’s length of Eddie Vedder.

26 Likes, 1 Comments - Rachel Ronquillo Gray (@medusaironbox) on Instagram: "Last night, there were twists and turns, and twists within the turns, and turns within the turns,..."

But we did have some delicious and unexpectedly comforting noodles though. I still think about them.

29 Likes, 4 Comments - Rachel Ronquillo Gray (@medusaironbox) on Instagram: "The name of this had the word "tingly" in it. These noodles and this soup made me supremely happy...."

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What else did I do this summer? I got a new job. At a bakery.

Do you remember that scene from Office Space? The one at the end when Ron Livingston’s character is finally free of his cubicle job, and he’s relishing in his new job as a construction worker? That moment when he stops shoveling for a minute, smiles at the sunshine, takes in a deep breath of fresh air, and finally looks content?

That’s me these days. It’s not easy work, and some days I come home with my body aching and cramping in places I didn’t know could ache and cramp. Sometimes I find gigantic bruises on my legs that I don’t remember getting, but then I vaguely remember that something happened and it hurt a lot, but I kept moving and then I forgot about it. (Kind of like life.)

But I learn something new every day. How to make neat-edged cookies. How to wrap treats and box them neatly. Remembering complicated orders. How to work quickly without fucking up, which I am not always successful at, but I’m learning. All of these are little things that, if you’ve never worked in the service industry, you take for granted.

(Also, an aside: tip your servers. Always. At least 20%. If there is an option to tip (do you see a tip jar? when you pay with your card, does it give you the option to tip? etc.), always do it. The people who serve you bust their asses every fucking day and they don’t get paid enough to do it with the amount of patience and grace that they do. Believe me. Okay, stepping off my soap box now.)

So anyway. I’m doing something completely new and different. It’s hard work, but I like it. It’s teaching me a lot in terms of tangible skills, but also more important things about truly and actually caring for the self physically. I’ve learned so much over the years about emotional and psychological self-care, but physical self-care has come as an after-thought. This new work is forcing me to pay attention to my body and listen to it. If I don’t, I literally cannot do the work.

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What’s ahead? I don’t know yet. I’m working on some things. After the heat and excitement and ever-changing days of summer, I’ll be shifting my attention to writing projects outside the blog for awhile. Friday Bites will not be making its regularly scheduled appearances, but I’ll still be writing about cooking and baking and sharing my home creations on the blog. Scary movie season is upon us (although it’s really year-round for me), so I might jump back into my Days of Horror series soon.

The name of the game these days is staying open and flexible, working with what I have, and, as always, staying grounded amidst the vast fields of uncertainty that life is made of. Stay tuned.

What I did on my summer vacation (2017 ed.)

I've been away from this blog since April. When I look back on it, it seems unfathomable that so much time has gone by, and it also feels like a hundred years have gone by.

I always forget about the rhythms of my writing. I don't know how I forget it, but I do. Maybe it's the 20 years of having a summer vacation that has embedded itself into my psyche. The cycles of hunkering down, working hard, studying, and producing from September to May. Then, when the weather starts to warm up and the days start to feel lazier, I give myself permission to take it easy. In years past, it was a subconscious decision.

This year, it's been a little bit of both. This year is different from all the other years. Every day there is a new tweet to rail against, a new infuriating policy to protest, a new disaster to mourn. This presidency has affected my psyche in ways I'm hesitant to admit, but it's undeniable. I'm living with a cynicism I've never lived with before.

Aside from all the large scale stressors, we're finally (!!!) planning our wedding. Each wedding dress I look at is now distinct from one another (please see 2017: The Year of No Intention), and I have actual opinions on them. I was hoping I'd have an actual strong opinion on our wedding colors, but I still don't. I have days where I'm so excited for our wedding that I wish it were happening tomorrow, and I have days where I avoid looking at the countdown timer on my WeddingWire app because the number of days til our wedding is too few. I've begrudgingly and apprehensively bought two wedding planning books and a wedding planning binder (and also wondered who the hell I am these days). 

This summer, my brother graduated from college after being an extremely hardworking Van Wilder for many years. M and I were there for his graduation. After, we took a family trip to Lake Tahoe, where M learned that when we say Tahoe's water is very cold, we are not kidding.

What else?

I went to Phoenix where it was 110+ degrees. I lay out on a 5th floor hotel rooftop deck at night, and felt homesick for the dry, hot, desert wind. We took M's dad on a surprise birthday trip to St. Louis to watch the Cardinals. The Cardinals lost both games we went to, but the weather was beautiful and the Bud Light Lime hit the spot (I know). I went to San Francisco for the Las Dos Brujas writing workshop, and wrote poems that I'm still working on and love dearly. I saw dolphins while hiking the Marin Headlands with poet friends. I got to show M the Golden Gate Bridge for his first time, and also introduced him to the (also very cold) Pacific Ocean.

This summer, writing has not been a priority. I've written here and there, and made some breakthroughs at Las Dos Brujas, but for the most part, it seems that my subconscious decided it was time for a break. It was time to take a step back and recognize that I have a very large plate, it is very full, and if I am not very careful and very intentional, I will burn all the way out.

I'm asking myself questions about balance and boundaries, about what caring for the self truly means. I'm asking myself questions about how to nourish myself and my writing when so much else in life and in this world seems to take and take and take.

So I'm back now. I don't have a lot of answers, but here we are. Figuring things out. As always.

On avoiding writing, trusting my gut, & repetition

I was going to start this essay by saying that I have been avoiding the page, but that’s not true. I’ve been drafting poems and writing morning pages every day for the past two weeks.

I’ve just been avoiding essay 5. 

Why? I’m not sure. 

Sometimes, I think it’s because I’m not sure what to write about. 

But that’s not true. There’s plenty I want to write about — the WWE, country songs, Ink Master, having clutter, Ana Lily Armirpour films, Michael Ian Black, to keep or get rid of old photos, Friday Night Lights and all my nicknames for Tim Riggins, an ode to Coach Eric Taylor. And so on. I have no shortage of material for essays. 

And yet. Here I am. Writing about writing again. Writing about my feelings about not writing again. Writing about the things that I think keep me from writing again. 

And maybe that’s why I’ve been avoiding essay 5. Because though I have so many things percolating that I want to write about, the one that keeps rising to the surface is this one — avoidance. 

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Every time I sit down to write this essay, I think about Jude Law’s character in I Heart Huckabee’s. He’s a schmoozy advertising executive who tells the same story over and over again about fooling Shania Twain into eating a tuna sandwich she didn’t want to eat. I think about the scene where the existential detectives have recorded every single instance in which Jude Law’s character has told the Shania Twain story, and they play every instance back to him in succession.

At first, Jude Law thinks his story is great; why wouldn’t he tell it every chance he gets? And then, after the 4th or 5th version of the story has been played back to him, he starts to sober. After the 6th or 7th version, he starts to literally vomit in his mouth. 

I love that scene so much. It’s hilarious and it’s sobering and it’s real. What’s realer than realizing that you tell the same story or say the same thing over and over again?

Every time I sat down to write essay 5, I felt like Jude Law’s character, hearing myself say the same thing over and over again. 

So I’d write a sentence, minimize the window, and go eat a cookie instead.

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Some days, I think maybe I’m avoiding essay 5 because I’m afraid of writing something intimate, personal. Something I haven’t ever written about before.

But that’s also not true. It takes a certain amount of vulnerability and bravery any time we write and choose to put it out in the world — whether it’s publishing something on a blog or bringing a piece to workshop or showing a fresh poem to your partner or sending anything to a journal to be rejected or accepted or writing a personal statement. Whether I’m writing about Buffy or YA horror lit or my general exhaustion or being overwhelmed by the prospect of weddings or writing about writing — it’s all intimate and personal. Because I write things that I don’t usually say out loud. For me, that is writing for the jugular. 

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Some days, I think I’ve been avoiding essay 5, simply because I’m burned out. I’m exhausted. This world we live in is exhausting and life on its own is exhausting. 

I’ve also withdrawn from my activity on social media, particularly Facebook and Twitter. When I think about composing a post or a tweet, I get overwhelmed. Even thinking about re-posting or retweeting overwhelms me. 

It just feels like there’s too much some days (every day). Too much to say and too much to absorb. How do you choose what to post? How do you choose what to retweet? It seems like a simple thing, but for me, lately, it’s been a conundrum. So I just don’t.

I close the apps, minimize the windows, and go eat a cookie instead. 

***

I guess what I’m trying to say is that maybe I’ve been avoiding essay 5 because I’m trying to find balance. And I’m not doing great. But I’m trying. 

I’m trying to find a balance between a public and private writing life. Between writing for this blog and the #52essays2017 project, and writing in a private space. Both are important. I love this blog and I love the #52essays2017 project and I love my horror project. 

But writing in a private space — as I have been — is essential, too. I’m seeing that now. Practicing writing in private — knowing that I will be the only person for quite awhile who sees this thing that I’m writing — feels good. It feels quiet and important. In a world where I’m bombarded every day by terrifying news and so many voices, it feels necessary to have a space where it’s just me. Just me and my voice and my writing. In that moment and the countless future moments that I will spend with my poems, my writing is no one else’s yet. It is mine until I decide that it’s ready to be someone else’s.  

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I have to honor and trust my impulse. Writing about writing — about the process, about all the outside things that intersect with the act of writing itself, about where inspiration comes from — demystifies it. Sometimes, I look at prolific writers and think, How the hell are they doing this? 

I don’t know how they do it, but I know how I do it. I’m a slow writer these days, and a percolator. I marinate on thoughts and ideas for essays for awhile before I sit down to actually write them. When I finally get to writing, the words come quickly, but I take some time to revise. 

(And poems? Jesus. Forget about it. I used to be a fairly prolific poem writer, and now I’m the slowest poem writer in all the land.) 

When I write about writing, I’m demystifying the process for myself. I’m writing to bust the myths I’ve internalized over the years in undergrad and in an MFA program about writing and what being a writer looks like. I'm writing to define what being a "real" writer means to me, and me alone. I'm writing to get rid of all those other voices that tell me not only what is acceptable to write, but how to write it. I'm writing to find the rituals I need to make for myself as a writer, as opposed to the ones that are prescribed to me if I want to call myself a “real” writer. 

Part of it is acknowledging that the world and life and exhaustion and emotions affect my ability to write sometimes. Sometimes I just have to take a break. Yes, writing is one of the only places where I feel truly whole, but it can also be exhausting if I don’t balance my private and public writing lives. 

***

Avoiding essay 5 has been a lesson in trusting my impulse and my voice. If an idea keeps rising to the top, no matter how many times I think I’ve explored it, I need to take its hand and follow it into the woods.